- Primi Toni a 8 - Gabrieli (SATB & SATB)

- Fairy Queen Chaconne - Purcell (SATB)

- Septimi Toni a 8 - Gabrieli (SATB & SATB)

- Ave Maris Stella - Monterverdi (one page, score fine) (SATB & SATB)

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--BREAKTIME--

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- Septimi Toni a 8 (no. 2) - Gabrieli (SATB & SATB)

- Fantasia 3 à6 - Tomkins (SSATTB)

1st Half:

Danserye - Tielman Susato

Since the scores are fairly short (except #2 Bergerette Sans Roch) it is advised to print scores. However, parts can be found after p 55.

Bring percussion instruments if you would like to play them during this set. "Appropriate" choices for renaissance-style percussion could include: tambourines, drums, finger cymbals, and triangles (used on #37 & #42 sparingly).

All pieces may not be played depending on time constraints.

1. #2 Bergerette Sans Roch 

Score: p 3-7          Parts: p 55-57 (soprano), p 72-73 (alto), p 87-88 (tenor), p 103-104 (bass)

2. #4 Bergerette 

Score: p 9-10        Parts: p 57 (soprano), p 74 (alto), p 89 (tenor), p 105 (bass)

3. #5 La morisque (aka Morentanz)

Score: p 10           Parts: p 58 (soprano), p 74 (alto), p 89 (tenor), p 105 (bass)

4. #8 Dans du roy 

Score: p 14           Parts: p 59 (soprano), p 75 (alto), p 90 (tenor), p 106 (bass)

5. #14 Den tweeten ronde (aka Mein Freund)

Score: p 22           Parts: p 61-62 (soprano), p 77 (alto), p 92 (tenor), p 108 (bass)

6. #21 Den IX ronde 

Score: p 27           Parts: p 63 (soprano), p 79 (alto), p 94 (tenor), p 110 (bass)

7. #25 Hoboeken dans 

Score: p 30          Parts: p 64 (soprano), p 79-80 (alto), p 95 (tenor), p 110-111 (bass)

8. #29 iersten Allemainge 

Score: p 32-33    Parts: p 65 (soprano), p 80 (alto), p 95-96 (tenor), p 111 (bass)

9. #37 Pavane Mille Regretz 

Score: p 38-39    Parts: p 67 (soprano), p 82 (alto), p 97 (tenor), p 113 (bass)

10. #41 La Battaille - would make a good finale for our session--could use some percussion.

Score: p 41-42    Parts: p 68 (soprano), p 83 (alto), p 98 (tenor), p 114 (bass)

11. #42 Passe & medio 

Score: p 43         Parts: p 68 (soprano), p 83 (alto), p 99 (tenor), p 114 (bass)

2nd Half:

I Pifferi Suite - Edmund Knollys

Second Symphony (in four movements) - Victor Eijkhout

Consort breve - Ubaldo Di Gregorio

Program: Quirky Brits

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- Purcell - Fantasia Z. 742

- Simpson - Five Dances

- Coprario - Fantasia RC 72

- Ferrabosco Jr. - Alman in F Major

- Ferrabosco Jr. - Dovehouse Pavan

- Byrd - Why Do I Use My Paper, Ink and Pen?

Program: The French Connection

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How Lully's music in Versailles influenced composers elsewhere.

Each piece (with the exception of Purcell) is 5 parts.

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- Lully - L'Amour medecin - Chaconne

- Purcell - King Arthur - Chaconne

- Lully - Bourgeois Gentilhomme Suite

- Fischer - Suite II

- Muffat - Sonata I

A Praetorius Program

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Parts are labeled by voice type, not instrument size; many of them naturally fall in between possible recorder ranges, so it’s up to individuals to decide what they're most comfortable playing.

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- Es ist ein' Ros' entsprungen

- Angelus ad pastores ait

- In dulci jubilo (Schein)

- In dulci jubilo a 8 (Praetorius)

- Ein feste Burg

- In Natali Domini

- Aus tiefer Not schrei ich zu dir

- Nun komm, der Heiden Heiland (Schein)

- Nun komm, der Heiden Heiland a 8 (Praetorius)

- The New-yeeres Gift

Program: Renaissance Dance Music

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- La Spagna (1)

- La Spagna (2)

- Pavanne & Gaillarde de la guerre

- Tedescha & Saltarello

- Intrada & Pavana

- Pavana di vin nero et bianco

- Bransles

- Pavane

Program: Choral Gems

For Biebl's Ave Maria, print out several parts you can play. Tenors should print out 3-4 tenor parts so we can adjust instrumentation.

- Monteverdi L'Orfeo Toccata (SATB)
- Holst I Vow to Thee My Country (SATB)
- Allegri Miserere Mei (SATB)
- Haydn St Anthony Chorale (SATB)
- Vecchi Saltarello (SSATB)
- Faure Pie Jesu (SATB)

--break--

- Handel Conquering (SAATB)
- Pergolesi Stabat Mater (SATB)
- Byrd O Magnum (SATB)
- Victoria O Magnum (SATB)
- Biebl Ave Maria
- Sound of Music - Hymn & Alleluia

TBA

TBA

TBA